Kate Hawley: Kiwi costume designer scoops Oscar for Frankenstein

Right, hold onto your hats, folks – because a Kiwi has gone and bagged gold. At the 98th Academy Awards, costume designer Kate Hawley walked away with the Oscar for Best Costume Design for her utterly breathtaking work on Guillermo del Toro's Frankenstein. If you weren't already cheering from your sofa, you really should have been.

For anyone who's been keeping tabs on her career, this wasn't exactly a shock – it was more of a coronation. Kate, who grew up in Wellington and cut her teeth in the local film scene, has been weaving her magic on the big screen for years. From the grotesque beauty of Crimson Peak to the epic scale of The Hobbit trilogy, she's proven time and again that fabric and thread can tell stories just as powerfully as any actor. But Frankenstein? That was something else entirely.

Del Toro’s reimagining of Mary Shelley’s classic demanded a look that was both timeless and unsettlingly fresh. And Kate delivered in spades. The creature’s iconic coat, the decaying elegance of the period costumes, the way every stitch seemed to hold a memory – it wasn’t just clothing, it was character. You could feel the weight of Victor Frankenstein’s obsession in every tailored seam. Hollywood clearly agreed, handing her the industry’s highest honour.

A career built on storytelling through cloth

This win puts Kate in a very exclusive club. She’s now among a handful of New Zealand designers who’ve changed the game on a global stage. But if you know anything about her, you’ll know she’s never been one for the spotlight. Her work has always done the talking – and last night, it shouted.

To give you a sense of her range, here are just a few of the worlds she’s brought to life through costume:

• The Hobbit trilogy – the dwarves' armour, the opulence of Rivendell.
• Edge of Tomorrow – futuristic military gear that felt lived-in and real.
• Crimson Peak – those exquisite, gothic gowns that haunted every frame.
• The Suicide Squad – chaotic, colourful, and perfectly unhinged.

And now Frankenstein joins that list – right at the very top. The moment her name was called, you could almost feel the pride ripple across Aotearoa. It’s one thing to see our actors and directors get love abroad, but when a craftsperson – someone who works with needle and thread, with leather and wool – gets that kind of recognition, it hits differently. It says that New Zealand’s creative DNA runs deep in every corner of filmmaking.

So here’s to you, Kate Hawley. From the streets of Wellington to the Dolby Theatre, you’ve made us all incredibly proud. And honestly? We can’t wait to see what you stitch together next.